Chris Prentice returns to talk about the career comedy superstar-turned-dramatic-workhorse-turned-urban-cryptid, the inimitable Bill Murray.

Joon Kim returns, but to the wrong point in the timeline, landing in a bizarre place where Bruce Willis was engaged with dramatic material, Brad Pitt was just a pretty face, and Terry Gilliam made profitable movies.

It's time to get way down in the hole, as we look back at the premiere season of the ultimate prestige TV drama.

Michael Martin returns as Gilliam searches for the grail (again) while ushering us into Robin Williams bearded era.

We talk about the triumphant first season of KNIGHT OF THE SEVEN KINGDOMS, and connect it to WONDER MAN and ANDOR to create the current trend of streaming IP seemingly designed to appeal to people that don't really like that IP.

There is only one Coen brothers, but... well, there are two of them.  But sometimes there's a man...a men...hell, I done lost my train of thought.  This episode is about people who aren't Coens trying to make Coen movies.

Gwen Sisco returns to talk over the capper to Gilliam's Imagination Trilogy.

We finally close the book on the Veilguard, and possibly all of Thedas.

In which our gripes with the Veilguard reach their fever pitch.

Thor Kilppert returns to talk over Gilliam's embattled masterpiece.  The first of those, anyway.

We peer into the longest shadow in the shadowy world of crime cinema

Joon Kim returns for one more three hour tour of Pandora

We get into the big, squishy middle of Bioware's big, squishy DRAGON AGE sequel.

In which we've talked about all the other Python projects, so why not?

Do not judge James Remar!  Few have been tested as he has!

In which we look at the first proper Gilliam joint.

We aren't just whacking off!  We do take this seriously!

It's not the messiah, it's a very naughty podcast

In which we dig into the latest Jesse Plemons joint.

After a decade, Bioware returns to Thedas, to frequently confounding effect.

We talk about JABBERWOCKY, Terry Gilliam's first solo directing project and a movie that definitely exists.

We talk about what it means to be a Carpenter Movie, and why his most imitated film is not the one that best represents his style.

We return to Delco to ponder whether We Are Back, as far as Sunday Night appointment viewing on HBO is concerned

Tim Meadow for President, d*** it.

No one expects Dan Shea to return to Frame Work!  One of his chief weapons is surprise, surprise and fear, surprise and fear and an almost fanatical devotion to examining the filmography of Terry Gilliam...