Hollywood's studios are increasingly wary of provoking China’s government by making films that contain “sensitive” content. Some films have even self-censored portions of their own films intended for the global market, in fear of retribution. On today’s show the conversation dives into the origins of how and when Beijing’s cultural policy began to impact Hollywood decision making in film production. The trio also provide concrete examples of how the studios negotiated a share of the growing Chinese film market and what actions the industry needs to take on that issue.
Featuring
Chris Fenton : Author of "Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, & American Business"
James Tager : Deputy Director at PEN America & main author of "Made in Hollywood, Censored by Beijing"
Middle Earth is made by China Compass Productions and hosted by Aladin Farré. If you have a China-themed cultural project like shooting your next documentary or look for a specific talent, please get in touch!
Sponsors
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Recommendations
- The U.S.-China-Germany film Point Break (2015)
- The U.S.-China film The Meg (2018)
Answers to the quiz
- Too much cleavage was the reason the TV series The Empress of China had to be reshot.
-The Ancient One, a Marvel comic character, got a gender and birthplace change in order to avoid provoking any backlash.
- Abominable (2019), a U.S.-China co-production, was censored by Vietnam, Malaysia, and the Philippines due to its depiction of the nine-dash line.
With thanks to Brenden Gonsalves for graphic design & Sean Calvo for music support.
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For six years, the Middle Earth Podcast has been a favorite among creatives working in and with China to learn the latest news about the world's second-largest cultural market. As we reach 100 episodes with over 220 guests, it's time to take a look back at the show and the industry it covers with a live audience, followed by a Q&A and our infamous quiz.