Episodes
The Hound of the Baskervilles: Justice and Pleasure in the Mystery StoryJune 16, 2023
The Hound of the Baskervilles: Mystery Writing and the UncannyMay 19, 2023
The Hound of the Baskervilles: More about Character in the Mystery GenreMay 12, 2023
The Hound of the Baskervilles: Epistemology, or Dealing with the Dreaded Info DumpMay 05, 2023
The Hound of the Baskervilles: Establishing Character through Dialog, Part IIApril 28, 2023
The Hound of the Baskervilles: How to Establish Character through DialogApril 14, 2023
The Secret Agent: Did Conrad Screw Up the Ending?March 31, 2023
The Secret Agent: Knowing When to Drag Things OutMarch 24, 2023
The Secret Agent: Creating Tension through StructureMarch 17, 2023
The Secret Agent: Writing The Horror! The Horror!March 10, 2023
The Secret Agent: Characterization and the Omniscient Point of ViewFebruary 17, 2023
The Secret Agent: Starting Off with a BellFebruary 03, 2023
The Brothers Karamazov: The End of BK vs. the Last Episode of LostJanuary 20, 2023
The Brothers Karamazov: In Praise of Brain Fever and the DevilJanuary 06, 2023
The Brothers Karamazov: How to Make Children InterestingDecember 27, 2022
The Brothers Karamazov: Characters Behaving IrrationallyDecember 16, 2022
The Brothers Karamazov: Physical Gesture in FictionDecember 09, 2022
The Brothers Karamazov: On Killing Your Darlings and Letting Them RotNovember 23, 2022
The Brothers Karamazov: Depression as Plot DriverNovember 04, 2022
The Brothers Karamazov: The Grand Inquisitor, or Creating a Truly Great Story-within-a-StoryOctober 14, 2022
The Brothers Karamazov: Where Is the Fault?September 30, 2022
The Brothers Karamazov: Simultaneous CharacterizationSeptember 16, 2022
The Brothers Karamazov: What We Write About When We Write About MoneySeptember 02, 2022
The Brothers Karamazov: The Uses of ShameAugust 19, 2022
The Brothers Karamazov: How to Make Your Novel of Ideas Less BoringAugust 12, 2022