Essential Guide to Writing a Novel
Hosted by James Thayer, the podcast is a practical, step-by-step manual on how to craft a novel. It presents a set of tools for large issues such as story development and scene construction (Kirkus Reviews said Thayer's novels are "superbly crafted') and it also examines techniques that will make your sentence-by-sentence writing shine. The New York Times Book Review has said Thayer's "writing is smooth and clear. it wastes no words, and it has a rhythm only confident stylists achieve.
Episodes
202 episodes
Episode 202 - How to have fun while writing.
Writing fiction is work but it doesn't need to be a grind. Here's how we can have fun while we write, things that'll give us a joyful kick, maybe even make us laugh. Also: the important technique of the mini-backstory, which reveals...
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27:17
Episode 201 - A formula for strong sentences.
Physics loves formulas: E=MC2. How about writing? Here is a formula for writing strong sentences, ones that are clear and have energy. Our setting and character descriptions can also benefit from a formula, one that shows how ...
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28:18
Episode 200 - How can we know if we can write?
Do we have the skill to write a novel or short story? Here are early clues that may let us know. Also, top writers' ten best rules of writing. And J.R.R. Tolkien's techniques for writing fascinating settings.
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26:38
Episode 199 - Writing a scene with many people and lots of motion.
Sometimes in our story we'll have a scene filled with people where everyone is moving all at once, such as a battle scene or mob scene or festival scene or street scene. Here are techniques on crafting the scene so there's no confusion so...
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27:31
Episode 198 - A big way to make our dialogue riveting.
Readers love dialogue, the chance to eavesdrop on the characters. Here is a good way to make that dialogue really worth listening to. Also, here are techniques that can tie our scenes together, which Jack Bickham calls transitions a...
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27:11
Episode 197 - That odd little thing for our character.
How can we make our character memorable for the reader? How can we make the character leap off the page and stay in the reader's memory? Here's how Sherwood Anderson did it. And here are also character descriptions from anothe...
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24:26
Episode 196 - Importance of the character arc.
Readers want a character who can grow and change over the course of the story. Here is a discussion of the character arc: how we can use the arc to develop our character and the plot, giving the reader the big reward at the end of the story of ...
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26:23
Episode 195 - The adopt a dog technique.
One of the best ways to have readers like our story is to have readers like--maybe even love--our main character. But we usually don't want our protagonist to be a Pollyanna, always sweet and understanding. Rather we want to c...
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29:01
Episode 194 - How to invent a strong plot.
We want to write but we don't have our story fully figured out. What can we do? Here are thoughts on inventing plot, things we can do to shake loose the plot from our brains. Also, the techniques of a master of character descr...
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25:58
Episode 193 - Plotting: go big or go home.
Fiction's job is to entertain. A main way to entertain is to be bold with our plot. Here are thoughts on how to avoid the dull in our plot and how to create a story that keeps readers turning the pages. Also, how to invent str...
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26:43
Episode 192 - Plotting: the importance of conflict, crisis, resolution.
In fiction in all genres only trouble is interesting. How do we writers use trouble in our story? Here are thoughts on how we can plot using conflict, crisis, and resolution, a technique important for all genres. Also, should ...
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26:04
Episode 191 - Do we know enough to write the first sentence?
When do we know enough writing techniques to start our novel? And when is the story ready to be written? I'll try to answer both questions. Also, how do great writers describe a character's appearance in ways that reveal the c...
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24:35
Episode 190 - The right way to leave red herrings.
Red herrings--false clues--are used in most all stories in all genres. Here are the right and wrong ways to insert red herrings into our stories. Also, here's how we can show--reveal--much about a character by describing a setting.&...
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28:03
Episode 189 - Start as close to the end as possible.
Kurt Vonnegut said we should "Start as close to the end as possible." What did he mean? How can we do so? Here are thoughts on this famous piece of advice from a legendary novelist. Also, avoiding the word "not" to give ...
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25:07
Episode 188 - How to make our writing fun.
Is your writing time becoming a grind? If so, here are some things that may reduce the grind and maybe even make writing fun. Also, here are thoughts on how we might write a sentence that is a timeless truth told in lovely lan...
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30:08
Episode 187 - Giving readers what they want.
We writers should consider giving readers what they want. Well, what do they want? Here is a discussion of the five things readers want in a novel. Also: the dual timeline plot structure. And F. Scott Fitzgerald's seven ...
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28:46
Episode 186 - Showing--not telling--what a character is thinking.
Thoughts are interior, in our minds. But there are ways to show--to give evidence--that reveal to the reader what our character is thinking. Also, here is an important ingredient that many writers forget when describing a character....
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27:34
Episode 185 - The keys to musical writing.
The three most important words in our fiction are, "Story, story, story." But we can also shoot for lovely, musical language that makes each sentence and paragraph a pleasure to read. Here are thoughts on how to add music to our sen...
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24:15
Episode 184 - Skipping the dull stuff in our plot.
In his famous ten rules of writing, Elmore Leonard says that we shouldn't write things readers tend to skip. What are those things? How can we avoid writing them? Also, should our story have theme and, if so, how can we ...
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27:23
Episode 183 - A key to making our sentences forceful.
What do Ernest Hemingway, Cormac McCarthy, and Elmore Leonard have in common? Powerful stories, yes. But also lean and forceful sentences. Here's how they do it. Also: in our plotting,what's an acceptable coincidence an...
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27:35
Episode 182 - Things to think about as we write the end of our story.
After months and month if writing, we'll near the end of our story. Our novel is almost finished. Here are things we should consider as we wrap up our story. Also, for many of us editing our own story isn't as fun as writing.&...
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24:41
Episode 181 - A critical difference between scene and summary.
Why should almost all of our story be scenes rather than summaries? Here's how we can avoid summaries and instead write moment-by-moment real-time scenes in our fiction. Also: here are perhaps the most beautiful sentences ever writt...
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26:11
Episode 180 - The critical distance between the reader and the action.
The reader is like a camera as the scene unfolds. Where should that camera be? How far away from the characters and the action? Here are thoughts on authorial distance, about the benefits of placing the camera--the reader--nea...
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27:55