Episodes
Arata Mori & Andreas Hartmann on Documenting the Japanese Phenomenon of "Johatsu"May 13, 2024
Nellie Kluz on Directing and Editing "The Dells"May 06, 2024
Michael Pessah on the Art and Practice of CinematographyApril 29, 2024
Loretta van der Horst on Directing "The Border Crossed Us"February 05, 2024
Julien Potart on Building the "sitnwatch" Documentary Streaming PlatformJanuary 29, 2024
Silje Evensmo Jacobsen on the Sundance Premiere of “A New Kind of Wilderness”January 22, 2024
Lesley Chilcott on Creating "Arnold" for NetflixJanuary 15, 2024
Jake Pierrelee on the Art of Color GradingJanuary 08, 2024
Jesse Short Bull & Laura Tomaselli on Directing "Lakota Nation vs. United States"December 18, 2023
Dan Olmsted on the Art of Sound Recording, Design, and MixingDecember 11, 2023
Amy Nicholson on Directing and Producing "Happy Campers"December 04, 2023
Yannesh Meijman on Directing and Editing "Hotel Mokum"November 27, 2023
Maro Chermayeff on Documentary EducationNovember 20, 2023
J. Christian Jensen on the Nuts and Bolts of Documentary EditingAugust 21, 2023
Natalia Winkelman on Film Criticism for The New York TimesAugust 14, 2023
Rachel Fleit on Directing "Bama Rush" for HBO MaxAugust 07, 2023
Emilie Bujès on Visions du RéelJuly 31, 2023
Tijana Petrovic on Experimental Filmmaking, Cinematography, and Sources of InspirationJuly 17, 2023
Anna Moot-Levin on Her Filmmaking Journey from "Inside Job" to "Matter of Mind" for PBSJuly 10, 2023
Peter Nicks on Directing "Anthem" and the Oakland TrilogyJuly 03, 2023
José F. Rodriguez on Programming for the Tribeca FestivalJune 26, 2023
Niels Pagh Andersen on the "Order in Chaos" of Film EditingJune 19, 2023
Jane Ray on Documentary Funding at the Whicker's FoundationJune 19, 2023
Andrew H. Brown on Filming the Tribeca Award-Winning Documentary "Between the Rains"June 19, 2023