Born to License
Unlock the secrets of the $350 billion licensing industry with David Born, CEO of Born Licensing & Born to License. Whether you’re a business owner, brand enthusiast, or curious about how your favorite characters and brands make their way onto products, this podcast is your ultimate guide to the world of licensing.
Join David as he shares insider stories, practical tips, and real-world examples, helping you navigate the exciting intersection of creativity, commerce, and collaboration. From product development to pitching, licensing terminology to success stories—get ready to discover the untapped potential of this dynamic industry.
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Born to License
EMERGENCY EPISODE: Netflix Folds. What a Paramount x Warner Bros. Deal Really Means for Licensing
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Netflix has walked away from its $82.7 billion deal to acquire Warner Bros. Discovery - and Paramount looks set to create a $22 billion licensing powerhouse. In this emergency episode of Born to License, David Born breaks down exactly what this seismic shift means for the licensing industry.
In this episode:
🌍 The licensing landscape just changed overnight
- Paramount (#12) + Warner Bros. Discovery (#6) = the 4th largest licensor on the planet
- Combined estimated retail sales of $22 billion, surpassing NBCUniversal and Mattel
- The closest thing to a true Disney rival the industry has ever seen
🎯 What this means for licensees
- A portfolio deal that could combine SpongeBob, PAW Patrol and Yellowstone with Looney Tunes, DC Comics, Scooby-Doo, Harry Potter and White Lotus
- How the streaming landscape shifts - and what it means if Netflix loses access to all Paramount and WBD content
📊 The market reaction
- Netflix up ~10% in after-hours trading — their shareholders never wanted this
- Netflix walks away with a $2.8 billion breakup fee
- Why Paramount's share price will be one to watch
⚠️ This is NOT a done deal
- WBD shareholder approval still required
- Regulatory clearance needed across the US and multiple territories
- The California AG and Senator Adam Schiff are already raising red flags
- NBCUniversal could still make a move — we're realistically a year away from completion
💭 David's honest take: the human and brand cost of consolidation
- What happens to Beavis and Butt-Head, Ren & Stimpy, Yogi Bear and The Jetsons when two massive licensing teams merge?
- The brilliant people at Paramount and WBD who will be impacted by inevitable redundancies
- Why streaming success and licensing success are two very different things — and what Netflix does next
If you work in licensing, retail, toys, or brand strategy, this is the episode you need to hear right now.
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Welcome back to Born to License. I'm your host, David Born, and this is an emergency episode because what has just happened in Hollywood is one of the biggest stories of the decade and it has massive implications for everyone in the licensing world. So let's get into it. Netflix has officially walked away from its $82.7 billion deal to acquire Warner Bros. Discovery. Paramount, under the leadership of David Ellison, has won the bidding war. And Warner Brothers Discovery has declared Paramount's offer super. This is a seismic shift and I want to give you my honest, unfiltered take, purely from a licensing perspective. First, let's put this in context. According to License Global's top global licensors report, Paramount is the 12th biggest licensor in the world with an estimated $7 billion in retail sales. Warner Brothers Discovery sits at number six at around 15 billion.
Now combined, we're talking about $22 billion, which would make this new entity the fourth largest licensor on the planet, surpassing both NBCUniversal and Mattel in one stroke. Think about what a portfolio deal with this combined entity would look like. Right now. If you're a licensee working with Paramount, you're accessing spongebob, Paw Patrol, Yellowstone and more already phenomenal portfolio. Add Warner Brothers and suddenly you're talking Looney Tunes, DC Comics, Scooby Doo, White Lotus, and of course, Harry Potter. That is a catalog that starts to genuinely rival Disney, the number one licensor in the world. This would be a true competitor to the mouse. Disney has estimated retail sales of $62 billion. So this new entity would still only be just over a third of Disney, but. But it would make them the second largest licensor if we're only counting licensors.
In the entertainment space, the markets are reacting in real time. Netflix is up around 10% in after hours trading. Their shareholders never wanted this deal and they're celebrating. Netflix will also walk away with $2.8 billion breakup fee. So they're not exactly leaving empty handed. As for Paramount, keep an eye on that share price. This is a bold, expensive move and investors will have their opin from a streaming angle. Paramount plus and HBO could combine into something that becomes a genuinely serious player. And Netflix could eventually find themselves with zero Paramount owned content on their platform, which would also include Warner Brothers content. Now, I need to be very clear here. This is not a done deal. The story has been an absolute rollercoaster since August last year when David Ellison started making offer after offer and he kept getting rejected.
We still have Warner Brothers Discovery shareholder approval. We still need regulatory clearance across the US and multiple territories. The California AG already came out this week saying it's not a done deal. Senator Adam Schiff is calling for the highest levels of scrutiny. NBCUniversal could make a bid. Something else entirely different could happen. We're realistically looking at up to a year before this is a complete deal. A lot, and I mean a lot, can happen in that time. And now I want to share my personal view because this is what keeps me up at night. As someone who loves the licensing industry, I have real concerns about consolidation.
Both Paramount and Warner Brothers already have enormous portfolios, hundreds of active properties, and the truth is they're already struggling to give certain brands the attention they deserve because their resources are inevitably focused on the big drivers. SpongeBob, Harry Potter, Paw Patrol, DC Comics. These will always be prioritized, and rightly so. But what happens to Beavis and Butthead? Ren and Stimpy? Those are incredible Paramount properties with real fan bases and genuine licensing potential. And on the Warner Brothers side, what about Yogi Bear? The Jetsons? Iconic brands that Alina combined team may simply not have the bandwidth to develop properly when two massive licensing departments merge in the name of efficiencies. And let's be honest, that's what's going to happen. Great people lose their jobs and great brands get left on the shelf. I want to take a moment to acknowledge the real human cost here.
There are brilliant, passionate licensing professionals at both Paramount and Warner Brothers, people who have dedicated their careers to these brands. If this deal goes through, redundancies are coming. That's a difficult reality. And my colleagues at both companies are on my mind. Finally, what does Netflix do now? Remember, the reason they wanted Warner Brothers was to bolster their IP portfolio for both streaming and licensing. K Pop, Demon Hunters and Stranger Things are great, but they're not enough to build a licensing empire on. Netflix will likely lean harder into their relationships with Sony and Universal, but the challenge there is that a lot of the content they stream from both those studios means Netflix doesn't hold the licensing rights. Streaming success and licensing success are not the same thing. This story is going to keep moving fast.
I'll be tracking every development that matters to our industry. If you want to stay ahead of it for follow me on LinkedIn and Instagram. Subscribe wherever you listen and reach out to hello@borntolicense.com. I'm David Born and this is Born to License.