Ahead of the 76th Emmys Awards, we talk with the composer of Ripley, the latest masterful adaptation of The Talented Mr. Ripley and a Netflix thriller that pulled 13 nominations for a limited series. It should have been 14 with Jeff Russo's sco...

Leo Ross’s occupation as a composer has certainly been gaining steam. After an early music career of playing in and writing music for his bands, Ross transitioned into scoring under the wing of his older brother Atticus, merging the ethos of ba...

A lot of what has transpired in Ryan Lott’s life as a musician has been unexpected, mainly in as much as his unfearing forays into the potentiality of his medium has expanded his zone of interest, and that of his band Son Lux. The gumption of S...

Christopher Bear and Daniel Rossen spent the better part of the last two decades captivating the indie rock world as members of Grizzly Bear. They re-emerged this past year to score the Oscar-nominated Past Lives, a film that has captiva...

In this run-up to the 96th Academy Awards, we are delighted to share this conversation with nominee for best original score, Laura Karpman. Karpman's score for American Fiction, which has five nominations, gently twirls in and out of what is qu...

For the third episode of the Composer Magazine Podcast this season, we‘re joined by one of the most distinct, unusual and immediately recognisable contemporary composers: Cristobal Tapia de Veer, the wild creator of the music for The White Lotu...

Este & Amanda had a lot to share, and Charles & Natalie were very curious. So, here is Part 2 of their long conversation.

An unexpected harmony took shape when Este Haim and Amanda Yamate found each other. Now the composing tandem have a bond that transcends their art form. In this episode, they talk about their special relationship in scoring and in life.<...

Part 2 of our talk with the honorable Carter Burwell. Class resumes session.

We're starting off Season 2 with the bar set high! The great composer Natalie Holt joins Charles as co-host for this next round of talks with some of the most talented composers in the world, and our first guest is none other than Carter Buwell...

Incoming just before the series finale of Barry! Here is part 2 of our 2 part conversation with series composer, David Wingo. Charles caught up with David midway through this fourth and final season, just as he had put the finishing polish on t...

Incoming just before the series finale of Barry! Here is part 1 of our 2 part conversation with series composer, David Wingo. This chat took place just as season 3 had ended, when Charles visited David in LA.

Natalie Holt is Composer Magazine's Composer of the Year! One marvels at Holt's recent body of work, highlighted by her scores for Marvel's Loki and Star Wars chapter Obi-Wan Kenobi, not to mention a theme that became instantly iconic in Loki's...

Two seasons in, the HBO/BBC series Industry has become one the sharpest, most riveting productions on television. The key to its success is how it invites the audience into the elite domain of London finance from the perspective of aspirational...

The timing couldn’t have been better. Just as Dave Porter was winding down from his career-defining charge to compose all of the music for Breaking Bad, and its subsequent prequel Better Call Saul, we caught up with him to get his perspectives ...

For our very first episode of the Composer Magazine Podcast, we spoke to the composer behind Us and Get Out on reuniting with Oscar-winning director Jordan Peele and figuring out the sound for their new pop nightmare, Nope.Chatting to ou...