The Introverted Obelisk
The Introverted Obelisk is a sardonic stroll through the graveyard of classic horror cinema, where monsters are rubber, dialogue is stilted, and logic is optional. Join us as we unravel the plots (and seams) of horror films from the 1930s to the 1960s — the golden age of fog machines, mad scientists, and questionable acting choices. Each episode serves up a dry-witted recap, thematic commentary, and trivia morsels about the strange, charming, and sometimes laughably earnest world of vintage horror. It’s film history with a smirk — perfect for fans of cult classics, spooky nostalgia, and undead absurdity.
The Introverted Obelisk
When the Real Horror Is Medical Malpractice
In this episode of The Introverted Obelisk, we peel back the fur suit on The Ape (1940), a Poverty Row shocker where Boris Karloff proves that even brilliant actors aren’t immune to scripts about monkey costumes and spinal fluid theft. Karloff plays Dr. Bernard Adrian, a kindly small-town physician with a big dream: curing a young woman of paralysis. Admirable, except his method involves breaking the Hippocratic oath in half, stitching it back together with ape hair, and prowling the night in disguise to jab townsfolk with a syringe.
I guide you through this tragic tale of good intentions gone catastrophically wrong: the circus fire that conveniently provides a gorilla corpse, the fashioning of an ape suit that wouldn’t fool a child but somehow terrifies the town, and Adrian’s descent into nightly hunts for “donors.” What could have been schlock is elevated by Karloff, who loads every scene with guilt, tenderness, and the crushing awareness that miracles bought with murder aren’t miracles at all.
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