The Introverted Obelisk
The Introverted Obelisk is a sardonic stroll through the graveyard of classic horror cinema, where monsters are rubber, dialogue is stilted, and logic is optional. Join us as we unravel the plots (and seams) of horror films from the 1930s to the 1960s — the golden age of fog machines, mad scientists, and questionable acting choices. Each episode serves up a dry-witted recap, thematic commentary, and trivia morsels about the strange, charming, and sometimes laughably earnest world of vintage horror. It’s film history with a smirk — perfect for fans of cult classics, spooky nostalgia, and undead absurdity.
The Introverted Obelisk
Murder as a Party Game
In this episode of The Introverted Obelisk, we descend into William Castle’s gothic funhouse of greed, ghosts, and marital loathing: House on Haunted Hill (1959). Vincent Price stars as the ever-smiling Frederick Loren, a millionaire who invites five strangers to spend the night in a supposedly haunted mansion with the promise of $10,000 each—provided they survive until morning. The house is less “haunted” and more “booby-trapped death trap,” complete with severed heads, ghostly apparitions, and, of course, the famous skeleton that gets more screen time than some of the human cast.
We walk through the deliciously petty war between Loren and his wife Annabelle, a couple so toxic that murder is basically their form of flirting. Castle’s gimmickry is in full swing here too—originally releasing the film with Emergo, a plastic skeleton that would swoop over the theater audience during the climax. It’s both ridiculous and perfect, because much like the film itself, it’s cheap, over-the-top, and absolutely unforgettable.
So join us for a night in a mansion where the ghosts may or may not be real, the guests are definitely unstable, and the Price is—well—always right.
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