Many think we are capable of writing the great American (or, in my case, Canadian) novel. Some are, most aren't. What does it take to do so? And what makes a good spy thriller? Does it help to have worked in intelligence? A conversation with an ex-SIGINTER and author.
Many think we are capable of writing the great American (or, in my case, Canadian) novel. Some are, most aren't. What does it take to do so? And what makes a good spy thriller? Does it help to have worked in intelligence? A conversation with an ex-SIGINTER and author.